Discursos e práticas: a institucionalização dos coletivos de artistas

Abstract

This research consists of an analysis of the discourses and practices that permeate the symbolic relations between collective of artists and art institutions. From the literature analyzed, elaborated by artists, critics and experts, that proposed think the emergence of these groups called collectives, and also based on the work of participant observation in their artistic performances, sought to interpret the various meanings of what is understood by these social actors as an institution. Thus, I found possible developments that disparate discourses led to, and realized new social relations arise within the world of contemporary art, such as processes of distinction and the incorporation of collective art in institutions. Through the study of everyday life and the discourse analysis theory, drafted a work where I discussed how discourses may order practices, thinking a hypothesis about the relationship between the practices of collectives among the institutions, permeated by the discourse of criticism of art.